Wednesday, March 24, 2010

The Lady Venice and I

I've been told that Venetians consider their city to be a most noble lady, worthy of her name, "La Serenissima." Some will go so far as to say that an outsider's impressions of Venice are directly proportional to her impression of the visitor. The Lady sizes you up, and if she likes what she sees, she will enchant. If she finds you lacking, she will rebuff. It's a romantic notion, as befits a city redolent with romance and the memory of stupendous political and social power. It's a notion that makes perfect sense to me.

My first trip to Venice came in 1985, during my junior year abroad at the University of Geneva in Switzerland. The Lady Venice cracked the door open to me then, considering me from a reserved distance and offering a glimpse at what I would enjoy most about her in future; her mystery, her silence, her indescribable power to overwhelm the senses. I explored the city as many foreign students do, multi-city tour on spring vacation, traveling light, putting up in an inexpensive pensione, dining prix-fixe at trattorias, a guide book and phrase book in each hand. I discovered her mystery and silence in early evening walks. I lost myself safely among the warren of small and still smaller streets unpeopled by tourists, angling off and randomly ending at lagoons, stony dead ends, or in a campo's blaze of sunlight, color, and sound. The streets took me unawares, herding me in disorienting directions. Navigating the random twists, cut-offs, and shadowed alcoves, I remember thinking that espionage must have taken a delicious evolutionary turn in the days of Venice's domination of the Adriatic. Still, somehow, either naively or presciently, I wasn't afraid. I liked the silent wandering. It allowed me to listen to Venice, even if for only a few minutes. Listen to the past, to the present, hoping to return and listen in its future.

Preparing to leave two days later, I paused at the steps of the train station. Looking over my shoulder, I caught the Lady's face reflected in the canal, a knowing gaze from a palazzo's half-shuttered window. I turned, hoping to someday meet her face to face.

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